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I thought about them sitting and talking over a glass of wine and being grateful for each other’s company. These were tucked into some spaces which help create interest along the way.Īs I was working on the tune I imagined a scenario where a couple were coming together after a hard day at work, especially during this COVID climate when things are extra tough on everybody. A trick I learned from Amit via Audio Science Online tutorials.
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My ‘Music Buss’ was bounced and chopped to create some stabs which were then used to create pads with reverb and delays. I really was thinking what would benefit he track as a unique piece of music rather than trying to fit into a specific genre. The initial modulated sine-wave synth bass was replaced with a traditional bass sound which takes a more ‘mature’ approach that gelled better with the aesthetic I was aiming for.
#Izotope trash 2 dubstep Patch#
The jazzy electric piano seemed to call for something to more smooth to sit nicely alongside Rhodes and additional guitar chords I’d added for extra colour and harmony.Īn earlier bass patch was also eventually swapped for electric bass which I played then chopped to play on a sampler instrument. However, because of the instrument being inherently imperfectly tuned, I decided to try other lead sounds for the track. Originally, ‘The Gathering’ had melodica lines played by Martin which were a signature of the tune. Some members of Dubkultur Crew: Malthe, David, Thomas & Martin. Needless to say, I was difficult and deeply disappointing to leave, yet I am very grateful for my friendships and experiences that sound my time at Bolsjefabrikken with these guys thanks to meeting Malthe. I became a member of the ‘Radiator Studio’ with Dubkultur, a member of the ‘Booking Group ‘at Bolsjefabrikken (which managed the events there), and I helped run various events there alongside Malthe, Martin and another good friend, Kasper under the ‘Bolsjebas’ and ‘Crossroads’ banners. This ‘Do It Together’ environment was very attractive to me.
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Once an industrial complex, the area was now home to two underground venues, music studios, a recycled bike workshop, a cafe, a Muay Thai school and more. The group also had a studio out back of the venue near the green room – which was very minimal when I first started going there but it grew considerably up until it was time for me to return to Australia.Īfter many hours spent there I would get to know Martin, Thomas, Jonas, David, Rasmus and others who would frequently hit the studio to hang out, listen to music, make beats and enjoy the freedom of that Ragnhildgade offered. These guys were throwing some club events at Bolsjefabrikken which focused mostly on Dubstep with Reggae, Dub, UK steppers, Grime and Jungle seeping it’s way into the mix. Malthe was part of a crew called ‘Dubkultur’ (‘Dub Culture’). This young Danish guy would bring me into his world which in turn expanded mine greatly. Someone (I can’t remember who it was) had suggested that Malthe might be a good person for me to meet, and they were right. I’d met these guys through Malthe, AKA ‘Roger Jr.’ who was introduced to me after attending RDG’s ‘Low Pass’ night which was a weekly Wednesday bass music party at the music venue, Stengade, which is not too far from where I was living with Nadja in Nørrebro. We took a bike ride to the supermarket for supplies and spent some hours chilling together until the early evening. Hence the working title, ‘The Gathering’. I remember getting together with my Danish friends from the studio we shared out the back of Bolsjefabrikken in Østerbro for an afternoon session. This project appears to have been first created on my birthday in 2017 whilst I was living in Copenhagen.