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“You don’t copy his techniques, you copy his mind-set.” To that end, I've put together a group of these musicians, augmenting the line-up with some younger talent as well.Hendrix was able to take the blues and put them on steroids,” says Chuck D in Godfathers and Sons, one of seven documentaries that are part of Martin Scorsese Presents the Blues, which will air on PBS beginning Sunday, September 28th. Says Figgis: "I'm interested in why there was such excitement about this black music among Europeans. Tom Jones, Jeff Beck, Van Morrison, and Lulu all improvise around some classic blues standards, accompanied by a superb band made up of younger and not-so-younger-musicians.
#MARTIN SCORSESE PRESENTS THE BLUES ALBUM SERIES#
Figgis himself participated, albeit in a minor way, in this period of history, playing in a blues band with Bryan Ferry, a band that was the nucleus for the first Roxy Music.Ī series of musical interviews with the key players of the blues movement is augmented with a live session at the famous Abbey Road recording studios. Mike Figgis' film examines the circumstances of this vibrant period. Importantly, for the most part they continued to pay homage to the originators of the music and to make a huge global audience aware of the likes of Robert Johnson, Muddy Waters, Howlin' Wolf, Freddie King, etc. It was new in the sense that certain key musicians took the blues and molded it in an entirely personal way to fit the new awareness of the UK in the sixties. The post-war traditional jazz and folk revival movements produced the fertile ground for a new kind of blues music - entirely influenced by the authentic black blues of the USA, and, for the most part, entirely ignored by the good citizens of the US. Musicians from Belfast and Glasgow moved to London to be part of the club scene there.
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London, Liverpool, Birmingham, Manchester and Newcastle all had their own music scenes. The feel of that day in the basement is what I have set out to capture in this film."ĭirector Mike Figgis (Stormy Monday, Leaving Las Vegas, Time Code) joins musicians such as Van Morrison, Eric Clapton, Jeff Beck, and Tom Jones, performing and talking about the music of the early sixties British invasion that reintroduced the blues sound to America.ĭuring the 1960s, the UK was the location for a vibrant social revolution. My life was changed that day, and 35 years later the music's still shakin' my soul. Says Levin: "When we were shooting Sam Lay and his band at the Chicago Blues Festival, they were playing Muddy Waters' classic, 'I Got My Mojo Workin.' I closed my eyes and was transported back to when I was a 15-year-old hanging in my buddy's basement listening to the Paul Butterfield Blues Band for the first time.
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Along with never-before-seen archival footage of Howlin' Wolf, Muddy Waters and the Paul Butterfield Blues Band, are original performances by Koko Taylor, Otis Rush, Magic Slim, Ike Turner, and Sam Lay. Director Marc Levin (Slam, Whiteboys, Brooklyn Babylon) travels to Chicago with hip-hop legend Chuck D (of Public Enemy) and Marshall Chess (son of Leonard Chess and heir to the Chess Records legacy) to explore the heyday of Chicago blues as they unite to produce an album that seeks to bring veteran blues players together with contemporary hip hop musicians.